That same year, the estate sued Marlborough UK and Marlborough International, Vaduz, charging them with wrongfully exploiting Bacon in a relationship that was manifestly disadvantageous to him until his death in 1992, and to his estate.
Bacon and Hall in 1943 took the ground floor of 7 Cromwell Place, South Kensington, formerly the house and studio of John Everett Millais.  By 1989 Bacon was the most expensive living artist after one of his triptychs sold at Sotheby's for over $6 million. Single, or, as in triptychs, repeated with variations, they can be commented by symbolic indexes (like circular arrows as signs for rotation), turning painted images to blueprints for moving images of the type of contemporary GIFs.
In January 1937, at Thomas Agnew and Sons, 43 Old Bond Street, London, Bacon exhibited in a group show, Young British Painters, which included Graham Sutherland and Roy De Maistre.
The family moved house often, moving between Ireland and England several times, leading to a sense of displacement which remained with Francis throughout his life. Francis Bacon's new paintings: Extraordinary use of photographs', 'Mr. Francis Bacon, Enigmatic Painter of Howling Popes, Lived a Life on the Edge. They shared many interests, including ethnography and classical literature.. 146-168. (Bacon and Dyer went on to become lovers in a relationship marked by great tumult. Francis was raised by the family nanny, Jessie Lightfoot, from Cornwall, known as 'Nanny Lightfoot', a maternal figure who remained close to him until her death. Bacon remained stoic during the proceedings, but in the following months suffered an emotional and physical breakdown. A collection of drawings, some little more than scribbles, given by Bacon to his driver and handyman Barry Joule, surfaced in 1998, when Joule handed them over to the Tate Gallery. Francis Bacon's virtuosity: Van Gogh translated', 'National art treasures lost for lack of money', 'New Work by Henry Moore and Francis Bacon', 'New acquisition of six unfinished paintings by Francis Bacon', 'New acquisitions at the Tate: old and recent works', 'News and Views from New York: New York I at the Alan Gallery', 'No friends, by request, at Bacon's farewell', 'No signs of a City crash crisis as Bacon brings home £26m record', 'Notes from Paris and London: Bacon and Wols at the Hanover Gallery', 'Obituary: Francis Bacon: Genius formed in the blackness of the Blitz', 'Obituary: Isabel Lambert: More than muse material', 'Obituary: Mr. Peter Watson: Modern patron of art', 'PORTRAIT OF THE WEEK NO 96: BACON'S STUDY FOR PORTRAIT II - AFTER THE LIFE MASK OF WILLIAM BLAKE (1955)', 'Painter busting with exhilarated despair', 'Painting bought in 1953 may earn students £700,000', 'Painting pictures in Soho and Greenwich Village', 'Passages to Paint: Francis Bacon's Studio Practice', 'Picture choice: A direct hit on the nerves', 'Pictures by a Sunday painter turn out to be a valuable slice of Bacon', 'Power of three: Bacon triptych emerges from Tehran storeroom', 'Rare chance to own a Francis Bacon original - from the artist's tufted period', 'Realism versus Realism in British Art of the 1950s', 'Record £26,000 paid for a Francis Bacon', 'Regarding the pain: noise in the art of Francis Bacon', 'Regrets: Francis Bacon, Lucien Freud and Jasper Johns', 'Relative presences: A roomful of Bacon at the Tate', 'Rich pickings: Friend who inherited Bacon's £11m fortune went on 11-year spending spree', 'Rina Arya: Francis Bacon.
From this point, death haunted his life and work. Francis Bacons Menschenbild. Bacon moved to London in the winter of 1928/29, to work as an interior designer. In 2007, actress Sophia Loren consigned Study for Portrait II (1956) from the estate of her late husband Carlo Ponti at Christie's.  Dyer was about 30 years old, from London's East End. Collection: Museum of Modern Art, New York Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born English figurative painter known for his raw, unsettling imagery.
Rothenstein, John (intro); Alley, Ronald.
 The studio at 7 Reece Mews had remained largely untouched since Bacon's death in 1992, and the decision was taken to preserve it for posterity. They prefigure Three Studies for Figures at the Base of a Crucifixion (1944) in alternatively representing a tripod structure (Abstraction), bared teeth (Abstraction from the Human Form), and both being biomorphic in form. In 1927 Bacon moved to Berlin, where he first saw Fritz Lang's Metropolis and Sergei Eisenstein's Battleship Potemkin, both later to be influences on his work. Stricken, Bacon sold the 7 Cromwell Place apartment. Withdrawn and reserved when sober, Dyer was highly animated and aggressive when drunk, and often attempted to "pull a Bacon" by buying large rounds and paying for expensive dinners for his wide circle.  The locations of over 7,000 items were mapped, survey and elevation drawings made, the items packed and catalogued, and the studio was rebuilt, including the original doors, floor, walls and ceiling. In 1950, Bacon met the art critic David Sylvester, then best known for his writing on Henry Moore and Alberto Giacometti.
His compact and athletic build belied a docile and inwardly tortured personality, although the art critic Michael Peppiatt describes him as having the air of a man who could "land a decisive punch". So where has it all gone? In all of his paintings, Bacon emphasized the universal experiences of suffering and alienation. Francis Bacon was a dominant figure of postwar art, and his canvases remain unmistakable for their contorted emotion and visceral physicality.
Pale-faced and a chain-smoker, Dyer typically confronted his daily hangovers by drinking again. "All that money an' I fink they're reely 'orrible," he observed with choked pride.. His large canvases depicted human figures — most often a single figure isolated in an empty room, in a cage or against a black background. Bacon was born to English parents living in Dublin, Ireland, on October 28, 1909, and is the collateral descendant and namesake of the famed 16th-17th century philosopher. He is best known for his depictions of popes, crucifixions and portraits of close friends.
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